In my appreciation of ‘odd chances’ I tend to revel in examining the weaknesses of the photographic medium and its syndrome of documenting that caters. By avoiding to meet the photographer in me I try to keep my belief in Art and aesthetics always above all tools and interpretations.

The concept, the execution and time involvement brings inevitable change in values in my body of work. Always exploring the notion of the important versus the unimportant, with tendency for the image visually to be left exposed to ambiguity. And I do enjoy keeping my viewpoints in disorder, in order to keep my childlike curiosities current.

Marjan Stojkovski 2021